Van Gogh’s Bedroom

Van Gogh's Bedroom
The artist returned to the Yellow House in Arles
after painting all day in the fields. Nature
stuck to him like a burr as he walked into his bedroom.
Pale-blue sky seeped into his walls, and the outstretched
wings of crows slipped into the window’s
dark sash-bars. Sunflowers settled
into the center-woven seats of the ocher chairs,
blossoming over the worn path of earth-hued floorboards.
A field of poppies managed to inhabit his red blanket,
but not even nature could make the room contain
the artist’s seismic swirls of moon and stars. 

Copyright 2016 by Brian Dean Powers
Published in the Spring/Summer 2017 edition of Word Fountain
Public Domain photo at commons.wikimedia.org

How I Came to Live in a Palace

Kaisersaal
In my fourth-year high school German class, the teacher decided 
it wasn't enough just to learn a language. She wanted her students 
to know something about the people and culture that employ it. 

She assigned us to write a one-page theme about a specific 
person or place. I remembered a color photograph in an art 
history book from another class. It was a picture of the Kaisersaal,   

an eighteenth century palace ballroom. The floor is an oval chessboard 
of shiny tiles, bordered by twenty carved marble columns spaced
around rose-gray walls. Between the various pillars 

are wooden doors; a fireplace; tall, arched windows; paintings 
and statues in wall niches. The teacher praised my description. 
It was so real to her in its details, she wondered 

if I had actually visited the hall. The vaulted ceiling, with its huge 
glass chandeliers, is painted in white and pastels with gold filigree 
seemingly flung from a Tilt-A-Whirl. Frescos top the dome with blue sky 

that seems to release us into the open air. Flags wave, angels 
and cherubs hover before sunlit clouds, warriors and gods 
gaze thoughtfully upon us. Kings and queens conceal their bodies

in layers of ornate fabrics, even as Apollo proudly displays 
his muscular bare chest. Fifty years later, I've forgotten most 
of my German. I remember that lavish ballroom only by revisiting 

the art book colorplate. Its extravagance still grates against 
my preference for the plain and simple. Fifty years later 
I remember that essay as an invitation to the palace

of the imagination. For an immature, inept kid who was 
uncomfortable and ridiculed in the social world, it offered 
the rich and vaulting universe where I have lived ever since.

Copyright 2019 by Brian Dean Powers
Photo by the author